Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by ...
Gea Politi: Your Art Basel performance involved transforming four improvised drawings into a single wine label through tearing and reassembly.… ...
The journey into Christine Sun Kim’s “FOR EVER” begins before reaching the work itself. A glass corridor leads from Mudam’s… ...
Not every artist is obliged to resist or reflect the world around them. And yet, wandering through Art Basel and its constellation of satellite fairs, exhibitions, and events, I can't help but wo ...
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and its relationship to contemporary art. The complexity of our age is ...
Chiara Fumai, The Moral Exhibiton House, 2012. Collage digitale. Fotografia di Blerta Hocia. Andrea Bellini: Dear Federico, let’s start from the very end, that is to say, from the end of the world.
A response to the environmental cost of crypto art by artists, activists and theorists. “The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial ...
COVERS Michael Abel and Nile Greenberg photographed in their studio, New York City, March 2025. Photography and © Lucas Creighton. Courtesy of Flash Art.
Black Quantum Futurism, Time Changes 001, 2021. Courtesy of Black Quantum Futurism. Over the past hundred years or so, artists and scientists have come to follow increasingly common paths, from ...
Untitled #92, 1981. Chromogenic color print. 24 × 48 in. Collection Cynthia and Abe Steinberger. Courtesy of the artist and Metro Pictures, New York. © 2020 Cindy ...
Ruoru Mou, Tease 001, 2025. Detail. Steel leather-cutting molds, gelatine, glycerin, restaurant grease, corn starch, soy sauce, woodcarving fragments, glass, Perspex ...
On the occasion of Jonathan Okoronkwo’s recent solo exhibition at Emalin, London, “Ask Not What We Were Made For” (2025), curator and architect Lennart Wolff met with the artist to discuss the ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results