A woman runs away from home and a stranger named Nikhil (Sidharth Malhotra) comes to her aid — he even hails an auto rickshaw for her. Seven years later, Nikhil discovers the identity of the woman ...

In the midst of the pandemic, the Chhattisgarh police in Raigarh decided the best way to encourage public safety measures was to use Bollywood film dialogues in their posters, re-interpreting Bachchan ...

At one point in HanuMan, Hanumanthu (Teja Sajja) wants to prove to his friend that he has been bestowed superhero powers. To demonstrate his newly found powers, he punches a wall made of stones, as a ...

To call Mani Ratnam a mainstream filmmaker is a bit redundant, because every (primarily) Tamil filmmaker is a mainstream filmmaker: Tamil cinema does not have an "art film" tradition, the way ...

In the buzzing landscape of Indian streaming, Ormax Media has diligently curated an expansive database since 2018-19, helping us comprehend the evolution of the streaming category, particularly in the ...

25 Malayalam Comedies For Every Mood, Available On YouTubeThis slapstick comedy stars Jagathy, Mohanlal and Seenivasan and is sure to tickle your funny bone even today. Madhavan, a rich NRI, wants to ...

Tillu Square is that rare sequel that improves on the original in nearly every aspect. The first film, after a hilarious first half, was brought down by a messy second half and it is evident that the ...

A person who has redefined romance for a generation, Ganesh claims that he is not that romantic in real life and that he was given that image by directors such as Gubbi and Yograj Bhat. “I am just a ...

All We Imagine As Light is an evocative, stirring portrait of Mumbai and its people – especially immigrants. Payal Kapadia, making her feature debut, tells the story of two Malayali nurses – Prabha, ...

Meet the Mishras, Again Either you watch familiar characters live for a few hours every year or you get distracted by the chores you’re actually doing while Gullak plays in the background. I’m in the ...

Selling Everything But the Comedy Let me be more specific. For starters, Crew has what I like to call Producer’s Film Syndrome. There’s the distracting brand integration: At one point, a scene ...

It’s an approach that doesn’t really require the makers to take a stand on a real incident, but this approach removes an element of authenticity you usually get easily in films based on real-life. So ...