“Sirens” seems to want to satirize “The White Lotus” and its growing number of copycat shows. That’s not an easy feat, since Mike White already builds a great deal of sophisticated self-mockery and ...

Dear Robert Freud Bastin: I never really met Gene Hackman, but I was at a press conference where he was getting interviewed, and I was close to him and saw how he spoke to people and carried himself.

The world premiere of Anna Thorvaldsdottir’s “Before We Fall” positively overwhelms in a concert featuring cellist Johannes Moser and conductor Dalia Stasevska. Conductor Dalia Stasevska leads the San ...

Dear Teresa Concepcion: Well, in one sense of the word “best,” I’d say the Roxie Theater, the Stanford Theatre, the Rafael Film Center and the theater inside the Berkeley Art Museum and Pacific Film ...

The first feature film from director James Madigan is an action drama about havoc on a Bangkok to SFO jetliner. Unfortunately, it falls flat. Josh Hartnett stars as a man on a mission who is on a ...

Chronicle film critic emeritus Mick LaSalle also answers questions about who he thinks really got snubbed at the Oscars, “The Letter” and the late Heuwell Tircuit. “My Old Ass” is one of the films ...

Movies selected by gallery artists include the Coen Brothers favorite “No Country for Old Men,” Alfred Hitchcock’s classic “Rear Window” and pre-code pioneer Dorothy Arzner’s “Merrily We… Attendees of ...

Despite the comedic star power of Tina Fey, Will Forte and Steve Carell, the series remake of Alan Alda’s 1981 film on midlife marriage feels old and tired. Steve Carell, from left, Kerri Kenney, Tina ...

Mick LaSalle also answers questions about investing in Blu-ray and why critics went easy on Guy Maddin’s latest film. Composer Hans Zimmer poses for photographers upon arrival at the World premiere of ...

The PBS “American Masters” documentary features Spiegelman’s equally accomplished wife, Françoise Mouly, and fellow underground comix veterans such as Robert Crumb. Art Spiegelman signs a copy of his ...

“Tenderness” is the word that keeps coming to mind while watching Alex Ketley’s “An Approximation of Resilience.” The dance is unfailingly, unflaggingly, extraordinarily tender. This is surprising, ...

As Timo is leaving his old friend Mickey to die in an icy crevice on a barren planet, he says, “Nice knowing you, have a nice death” — before adding, “See you tomorrow.” Mickey (Robert Pattinson), you ...