They said his voice could heal a broken heart. Carl Otis Mosley Everett’s smooth tenor was associated with church services, marriages, family reunions and gospel concerts across the nation, but for ...

Every night, at early Arcade Fire club shows, there would be blood. “Every show I would bleed,” says tousle-haired multi-instrumentalist Richard Reed Parry, one of the chief agitators of the Montreal ...

Performances in N.Y.C. Advertisement Supported by For centuries, the format of British royal funerals has largely stayed the same, with a history that tells the story of both the monarchy and music.