Interviews with the Beltracchis and footage of Wolfgang working in his studio make up the bulk of the film. Birkenstock evidently spent years visiting the couple, first at their estates in Mèze in the ...

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In the 1970s, a group of Chicano teenagers got together in East Los Angeles to make art. They staged a Christmas parade in outrageous homemade costumes. They tagged the L.A. County Museum of Art. They ...

Support journalism that digs deeper into topics that matter most to ArkLaTex. Donate today to preserve the quality and integrity of local journalism. TEXARKANA, Texas-- Since its debut earlier this ...

When filmmaker Travis Gutiérrez Senger reflects on Asco’s legacy, he quickly notes they were more than an art group; they created a movement, one with remarkable influence on Chicano art history.

If you think you’ve never seen a painting by Thomas Kinkade, think again. The late artist, who is said to have sold more canvases than any painter in history, created a cottage industry (pun intended) ...

"He opened up a door that a lot of us went through." Cargo Film has revealed an official trailer for an indie documentary film titled Art Spiegelman: Disaster Is My Muse, a profile of the iconic comic ...

In his new documentary, Troublemakers: The Story of Land Art, filmmaker and art historian James Crump digs beneath the surface to explore the personal lives, artworks, and historical treatment of ...

Slava Leontyev and Brendan Bellomo's new film follows porcelain artists who stand up to Russia's aggression through their continued creative endeavors. The synopsis for “Porcelain War” reads: “Amidst ...

Exclusive: Editor Miranda Yousef makes her directorial debut with the Morgan Neville-produced documentary that premiered at SXSW 2023. Thomas Kinkade is best known for his kitschy paintings of ...

Cosm, an entertainment, media, and technology company, will give art fans an immersive animated history lesson on some of pop art’s most prominent figures. On Oct. 28, Cosm will present “Inside Pop ...

“Good morning,” says a tall blonde woman in a jumpsuit, speaking to a seemingly skeptical crew of green-clad New York sanitation workers—all men—on a sunny day in 1979. “I’m Mierle Laderman Ukeles.